New Release: Viikinsaari

viikinViikinsaari is an island located in the lake Pyhäjärvi belonging to the City of Tampere, Finland. The island is a popular nature resort and an outdoor recreation area, attracting visitors all year round. In the summertime there is a boat connection to the island from the Laukontori harbour. In winter, the island can be reached by walking or skiing. The western part is a nature reserve, but there are also swimming shores, playgrounds, a small chapel, a fireplace for roasting sausages, a restaurant, a footpath through the nature reserve and a dance pavilion on the island. (Wikipedia)

VIIKINSAARI copiaViikinsaari is the name of a movie that does not exist. A love story, a drama in which water plays a key role: the lake, the sound of the rain, a flood … An encounter in a extreme situation. But a situation that the players don’t know. To watch how something can be born while all around disappears. And viceversa (Spoiler?)

It’s a music poem and an imagination exercise for me and the listener.
The realization of an idea that I’ve been going around: create a soundtrack from three or four ideas, from an imagined story. There are no “real” images; it’s the listener who must to put it with a little help of the sound. So intimate, so universal.
Viikinsaari is small pieces for piano. And it’s water. It’s the piano that calls the shots through melodies and rhythms inspired by the sounds of water, their ways, their reflections … With string and wind arrangements that sound like whispers at times and other times explode in the ears leaving the piano in the background, like waves. A space for melancholy and contemplation.

Influences: Nyman & Sakamoto, a weekend in Tampere, leaky faucets, the first cold days of fall, lakes, images with cold colours, Chopin preludes, wet clothes near the fireplace, broken umbrellas in a dustbin, Satie & Debussy, Tom Wait’s Asylum Years…

To Do List: Africa

I hope to publish something inspired in African sounds and moods, someday.  I’m really a big fan. I like to hold the guitar, or piano, and achieve that extreme melancholy it conveys, that hopeful melancholy, being able to convey “that sadness that is not sad”. It’s popular music, born from the people. And so the excitement it causes, if you get caught, it is difficult to match. Celtic, African, Japanese… all the traditional sounds in general: If you get hooked, you have no escape. No matter local or from the other corner of the world.

But I still hesitate. I would like to know well its rhythms. I’m doing things but I’m looking for the point, the blow. With Celtic music is easier for me, I grew with it everywhere around me. For now I have to continue to learn from Femi & Fela Kuti, Papa Wemba, Toumani Diabaté, Cheik Lo, Salif Keita, Richard Bona, Abdoulaye Sylla, Suzzana Owiyo, Orchestra Super Mazembe and many others.

Currently I keep approaching Africa with other sounds…