Words in a cage

I pretty much agree with this way of understanding music and the world: A handful of phrases and sentences of John Cage, one of the most important personalities of the last century.

“There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot.”

“The first question I ask myself when something doesn’t seem to be beautiful is why do I think it’s not beautiful. And very shortly you discover that there is no reason.”

“The emotions – love, mirth, the heroic, wonder, tranquility, fear, anger, sorrow, disgust – are in the audience.”

“It’s useless to play lullabies for those who cannot sleep.”

“College: two hundred people reading the same book. An obvious mistake. Two hundred people can read two hundred books.”

“Get yourself out of whatever cage you find yourself in.”

They might really be radicals

“The notion that there might be something “modern” about Sibelius was risible to self-styled progressives of the immediate postwar era. The Schoenbergian pedagogue René Leibowitz summed up the feelings of many new-music connoisseurs when, in 1955, he published a pamphlet titled Sibelius: The Worst Composer in the World. Surveys of twentieth-century music labelled the composer a marginal figure in the central drama of the march toward atonality and other intellectual landmarks. Yet performances of Sibelius’s music continued unabated; conductors and audiences had it right all along.

In the last decades of the century, the politics of style changed in Sibelius’s favor. He began to be understood in terms of what Milan Kundera called, in another meditation on the culture of small nations, “antimodern modernism”—a personal style that stands outside the status quo of perpetual progress […]

In 1984, the great American avant-garde composer Morton Feldman gave a lecture at the relentlessly up-to-date Summer Courses for New Music, in Darmstadt, Germany. The people who you think are radicals might really be conservatives, Feldman said on that occasion. The people who you think are conservative might really be radical. And he began to hum the Sibelius Fifth”

Excerpt from “The Rest is Noise”, the essential book written by Alex Ross

 

 

X-mas Carol

 

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Sele: (adjective) 1. Peaceful [the day, people]. 2. Calm, without waves [the sea]. 3. Quiet, who doesn’t talk much, who doesn’t make noise.   (Translate from Llingua asturiana/asturian language)

 

Sele is a collection of Christmas songs that are not actually Christmas songs. The same happened with Año Nuevo and Postcard. They are songs inspired by this holiday season, by the winter, the family gatherings & reunions, the decorated houses … but at the same time, songs that can be heard all the year.

I searched a homey, warm, innocent, close to nursery rhymes and lullabies sound. Children are really the kings of the parties, or at least as I see it. Compositions about optimism and joy, with a touch of melancholy, couldn’t do it any other way. I wanted to add and highlight a homemade and imperfect character, direct, without excessive tweaking and production. Something accessible to young and old people. The “Edward” touch.

 

 

Influences …

Christmas trees, wake up in a cold day, Laura Marling and Laura Veirs, children songs, The tallest man on Earth, carols, fireplaces, Cass McCombs, family photos, añaes, New Year’s Eve, colored lights, DADGAD, school notebooks, “the day after”…